But the crystal skulls that interest New Agers are extraterrestrial in origin or come from Atlantis. They allegedly are endowed with magical powers such as the spontaneous production of holographic images and the emission of weird sounds.
Today, millions of skulls, made of various types of stones and metals, are manufactured in a variety of sizes for the New Age paratrinket market, as well as for the museum replica market. And, despite the fact that replicas are easily made and are available from a variety of sources, advocates of the paranormal nature of crystal skulls like Nick Nocerino claim that no one knows how these skulls were made and that they are impossible to duplicate. Nocerino is the founder of the The Society of Crystal Skulls, International. His society uses psychometry, remote viewing, and scrying as part of their research methodology.
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British Museum's Photo of the Crystal Skull
The myth of crystal skulls as extraterrestrial and extra-powerful seems to have begun with F. A. "Mike" Mitchell-Hedges (1882-1959) and his adopted daughter Anna.
Of all of the crystal skulls, the Mitchell-Hedges skull, the "skull of doom", is probably the most infamous. The skull was allegedly discovered in the mid-1920s by Anna Mitchell-Hedges, the adopted daughter of a British adventurer and traveler named F.A. Mitchell-Hedges. Anna claims that she found the skull beneath the altar of a Mayan temple in Lubaantun, a ruined city in Belize, on her 17th birthday.
Sir Arthur C. Clarke made the skull into his signature logo for his popular television series, 'Arthur C. Clarke’s Mysterious World'.
Watch here his documentary that tackled the crystal skull:
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